editing
editing
- audio - length, cutting clips
- video - graphics
- effects - motion capture
- speed/ duration - voice over
- post productions - transitions
the role of an editor - selects and rejects footage
- organise the shots filmed
- coordinate one shot with the following shot to produce the desired effect on audience and to keep a narrative moving
editing is the activity of selecting the scenes to be shown and putting them together to create a film
* order of shots - continuity/ discontinuity
* transitions
* space, time and rhythm
space, time and rhythm
*cinematic space - where the action takes place
*spatial relationship between actors and objects within that space
*also asks the audience to think about what people are doing within this space and what we want to focus on
time - condense time/ compressed
- extended time
- time of sequence takes to play on screen
rhythm - editing sets the rhythm or pace of the scene
- could be dictated by the music or the mood
- build up tension - quick shots
- relaxed scene - slower pace
the meaning of a sequence can change depending on the order of shots are cut together
soviet montage theory - the kuleshov effect is a concept in filming created by lev kuelshov in the 1920
* shows the expression of an actor
soviet montage theory
coined by Sergei Eisenstein - placing together separate sections of film could create idea's or have an impact beyond individual shots.
eye + water = crying
ear + door = listening
metric montage
rhythmic montage
tonal montage - visual
over tonal montage
intellectual montage - intelligent
Transitions
cut - one shot is instantaneously replaced with the next
- most often used - most common
fade - show something ending
- fade to black from which the following shot emerges
dissolve or cross fade - gradually going from one shot to another
- merges shot (opacity)
- 2 shots at the same time
wipe - one image is revealed over another horizontally vertically, diagonally or even using a shape/ pattern
- audio - length, cutting clips
- video - graphics
- effects - motion capture
- speed/ duration - voice over
- post productions - transitions
the role of an editor - selects and rejects footage
- organise the shots filmed
- coordinate one shot with the following shot to produce the desired effect on audience and to keep a narrative moving
editing is the activity of selecting the scenes to be shown and putting them together to create a film
* order of shots - continuity/ discontinuity
* transitions
* space, time and rhythm
space, time and rhythm
*cinematic space - where the action takes place
*spatial relationship between actors and objects within that space
*also asks the audience to think about what people are doing within this space and what we want to focus on
time - condense time/ compressed
- extended time
- time of sequence takes to play on screen
rhythm - editing sets the rhythm or pace of the scene
- could be dictated by the music or the mood
- build up tension - quick shots
- relaxed scene - slower pace
the meaning of a sequence can change depending on the order of shots are cut together
soviet montage theory - the kuleshov effect is a concept in filming created by lev kuelshov in the 1920
* shows the expression of an actor
soviet montage theory
coined by Sergei Eisenstein - placing together separate sections of film could create idea's or have an impact beyond individual shots.
eye + water = crying
ear + door = listening
metric montage
rhythmic montage
tonal montage - visual
over tonal montage
intellectual montage - intelligent
Transitions
cut - one shot is instantaneously replaced with the next
- most often used - most common
fade - show something ending
- fade to black from which the following shot emerges
dissolve or cross fade - gradually going from one shot to another
- merges shot (opacity)
- 2 shots at the same time
wipe - one image is revealed over another horizontally vertically, diagonally or even using a shape/ pattern
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